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Ableton

My job at Ableton

My last post covered lots of questions that I’m often asked. As I look at it now, I realize that it reads like a litany of things I no longer do. So for balance, here’s a bit more about my current gig.

The short answer is that I’m a technical writer.

(Tip: if someone asks you what you do, don’t tell them that you’re a technical writer unless you want them to go away. It’s like telling them that you’re a mortician or a Republican. You can see the interest drain from their face, and their expectation of now-it’s-gonna-get-lame is palpable.)

The longer answer (and this is where, usually, some interest comes back) is that I work for a company called Ableton. We make software for recording, live performance, composition, music production, etc. Part of my gig involves writing all of the documentation. But I’m also pretty heavily involved in things like sound design, making tutorial movies, concepts for the future of the products, etc.

I also do clinics, user workshops and sometimes one-on-one trainings or demonstrations for VIP artists in New York.

This is an immensely fun job. I get to think about ways to make better tools for musicians and to make music using those tools. I also get to hang out with and teach other passionate musicians and gearheads, as well as hang out with some of my musical heroes.

The job also takes me to Berlin several times a year, a city where I lived from 2003-2005 and which I love coming back to.

Here’s a movie I made for Ableton:

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Geeking out with electronic music is basically what I’ve been doing for fun since I was about 12. Now I get paid for it.

Discussion

5 comments for “My job at Ableton”

  1. APC-40 *drool*

    … one day. Yes, one day.

    I have to say, Ableton is one of my more favorite pieces of software. It’s easy to use yet infinitely complex. As complex as it can be, I haven’t bogged my processor down yet with the new Live 8, no matter how crazy I’ve gotten with my newer tracks.

    It’s always interesting to see how other people approach the making of electronic music. Thanks!

    Posted by robot makes music | July 11, 2009, 4:20 am
  2. crazy that the apc40 renders the novation automap virtually useless as it applies to controlling ableton. and to think i thought i was having it easy with everything automapped ;) you see, i also use the remote sl but i am seriously considering the apc40 after watching a few videos, and now yours here, Dennis. the apparent ease of controlling, recording and arranging with the apc40 (in Live) is unbelievable. that device is the new perfect companion to live. i can still use automap 3 for all my other vsts. thanks for another fantastic video. more more more. your videos are very educating/inspiring.

    Posted by jason_in_sweden | July 12, 2009, 5:45 pm
    • Well, I wouldn’t say that it renders automap “useless.” It’s a different sort of model. Automap is designed to work well generically, while the APC is designed to work perfectly with one app.

      Posted by Dennis DeSantis | July 13, 2009, 1:21 pm
  3. but you removed this part “as it applies to controlling ableton”…which states nearly exactly what you said. hope your week is good mate.

    Posted by jason_in_sweden | July 13, 2009, 6:22 pm

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